Lucy Ashton,
engraved by Henry Robinson after
William Etty (1833)
From: Portraits of the Principal Female Characters
in the Waverley Novels (London: Charles Tilt, 1834)
This plate depicting Lucy Ashton, heroine of
Sir Walter Scott's The
Bride of Lammermoor (1819),
is inspired by the following description: 'Lucy Ashton's exquisitely
beautiful, yet somewhat girlish features were formed to express
peace of mind, serenity, and indifference to the tinsel of wordly
pleasure. Her locks, which were of shadowy gold, divided on a
brow of exquisite whiteness, like a gleam of broken and pallid
sunshine upon a hill of snow. The expression of the countenance
was in the last degree gentle, soft, timid, and feminine, and
seemed rather to shrink from the most casual look of a stranger
than to court his admiration. Something there was of a Madonna
cast, perhaps the result of delicate health, and of residence
in a family where the dispositions of the inmates were fiercer,
more active, and energetic than her own.' (The Bride of Lammermoor,
ch. 3) Although not published in volume form until 1834, the
plate bears
the
imprint
'1833'.
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