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The Entrance of King George the Fourth
at Holyrood (1829)
In August 1822, George IV became the first Hanoverian monarch
to visit Scotland. Scott played a leading role in organizing the
visit and acted as master of ceremonies. Sir
David
Wilkie travelled
to Edinburgh at the same time as the king with a view to recording
the event. He witnessed his arrival at the Royal Palace of Holyrood
and included it in a list of possible pictures. He should actually
have preferred to portray the royal visit to St Giles's Cathedral,
but the king insisted that he record the return to the palace of
his ancestors.
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Click
on the thumbnail to see a full-size image of an engraving
of Wilkie's The Entrance of King George the Fourth at
Holyrood by William
Greatbach.
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Wilkie began work on the picture in October 1823
shortly after he succeeded Sir
Henry Raeburn as His Majesty's Limner for Scotland. The
king disliked the first study, as he felt he was posed too
informally and demanded that he be given a more martial air.
Wilkie modified his design accordingly and had made substantial
progress by summer 1824. In July 1824, however, the king requested
that Wilkie include Scott and his younger son Charles (see
detail, right) amongst his entourage in the painting (as recorded
in Scott's letter to Lady Abercorn, 1 August 1824, Letters,
VIII, 340). |
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Wilkie returned to Scotland later that summer to make further
studies for the painting, and visited Abbotsford in
November in order to take Scott's likeness. One of his studies
of the writer was subsequently worked up as a portrait in its own
right for Sir William Knighton (see Sir David
Wilkie's 1824 Portrait of Sir Walter Scott). Wilkie cut short
his stay at Abbotsford upon hearing that his mother had suddenly
been taken ill. He reached London on the 12th to learn that she
had died the previous day. Her unexpected death, followed, in rapid
succession, by further family bereavements and the collapse of
his printsellers, contributed to a breakdown in Wilkie's health
which left him incapable of working. He left on a convalescent
trip to the Continent in July 1824 and did not return to Britain
until June 1828. In February 1829, he finally felt able to return
to the massive Holyrood group-portrait. He made a further visit
to Scotland in the autumn of that year in order to confirm the
veracity of some of the details, staying at Abbotsford on the return
journey. Wilkie's correspondence suggests that he finally finished
the painting in December 1829. The painting itself may well have
born that date but the area to the right of the signature is badly
preserved and the writing illegible. The finished painting, measuring
49 x 78 inches, was delivered to George IV early in 1830 and unveiled
at the Royal Academy's Annual Exhibition later that year.
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Detail of figure
of Sir Walter Scott.
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It met with a lukewarm reception and was only engraved once: by William
Greatbach for the Art-Journal in 1858 (see top of page).
It remains in the Royal Collection and is currently held at Holyrood
Palace.
Bibliography
- Russell, Francis. Portraits
of Sir Walter Scott: A Study of Romantic Portraiture (London:
The Author, 1987)
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Last updated: 31-May-2005
© Edinburgh University Library
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