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Henry Bryan Hall (1808-84)
The stipple engraver and portrait painter Henry Bryan Hall, was
born in London on 11 May 1808 and served his apprenticeship under
the engravers Benjamin Smith and Henry Meyer.
He was subsequently employed by Henry Thomas Ryall who held the
title of 'Portrait and Historical Engraver to Her Majesty, Queen
Victoria'. In this capacity, Hall contributed plates to Ryall's
Eminent Conservative Statesmen (1837-38) and helped to
engrave the seventy portraits in Ryall's plate of The Coronation
of Queen Victoria after George
Hayter (1838-42). Further bookwork included engravings of English
Protestant martyrs for C. Birch (1839) and contributions to John
Wilson and Robert Chambers's The Land of Burns (1840), Finden's
Gallery
of Beauty (1841), J. W. Carleton's Sporting Sketch-Book (1842),
and J. Kitto's Gallery of Scripture Engravings (1846-49).
Hall
emigrated to New York in 1850, set up the firm of H. B. Hall
and Sons, and
established
an
extensive
practice
as
engraver
and
publisher of portraits. In particular, he etched a large number
of portraits of prominent figures in American colonial and revolutionary
history
for a private club in New York and for Philadelphia collectors.
Hall was also a talented portrait painter in his own right specialising
in miniature work on ivory. While still in London, he had painted
Napoleon III, and, following his move to America, produced acclaimed
portraits of fellow artists Thomas Sully and C. L. Elliott. Hall's
children Alfred, Alice, Charles, and Henry were all talented
engravers. In particular, Henry Bryan Hall the Younger (fl. 1855-1900)
is
celebrated for his engravings of the leading figures in the US
Civil War (in which
he fought). As both father and son engraved portraits of US military
and political heroes, it is sometimes difficult to establish
which is responsible for a particular plate. Hall died in Morrisania,
New York, on 25 April 1884.
Henry Bryan Hall's only Scott-related work appears to be an engraving
of the 1830 portrait by Sir
John Watson Gordon, published as the
frontispiece to Charles Daly's 1837 edition of The
Lay of the Last Minstrel. Click on the image below to
see a full-size image of Hall's engraving of William Smellie after
George Watson for The Land of Burns.
 Bibliography
In addition to the sources below, information
was gleaned from the online catalogue of the National
Portrait
Gallery, in which several works by Henry Bryan Hall may be
viewed.
- Engen, Rodney K. Dictionary of Victorian Engravers,
Print Publishers and their Works (Cambridge: Chadwyck-Healey, c1979)
- Fielding, Mantle. Dictionary of American
Painters, Sculptors & Engravers, 2nd newly-rev., enl., and
updated edn, ed. Glenn B. Opitz (Poughkeepsie, NY: Apollo, 1986)
- Hunnisett, Basil. A Dictionary of British Steel Engravers (Leigh-on-Sea:
F. Lewis, 1980)
- Stauffer, David McNeely and Mantle Fielding. American
Engravers upon Copper and Steel (New York: Franklin, [1964])
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Last updated: 27-Mar-2007
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