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            Events |  Links | E-texts | Contact  Thomas A. Woolnoth (1785-1857)The portrait painter and engraver Thomas A. Woolnoth  was best
              known for his theatrical portraits after Thomas Charles Wageman
              and for
              large plates after Correggio and Vandyck. A pupil
              of Charles Heath, he contributed steel
              engravings to E.W. Brayley and J. Britton's The History of
              the Ancient Palace and Late Houses of Parliament at Westminster (1836),
              Heath's Gallery (1836), Finden's Tableaux (1837),
              J. Wilson and R. Chambers's The
              Land of Burns (1840), G.N. Wright's Gallery of Engravings (1844-46),
              and The Portrait Gallery of Distinguished Poets (1853).
              He also engraved from his own designs, furnishing both drawings
              and
              engravings
              for
              Sarah
              Bowditch's Juvenile Album (1841), and for his own Flowers
              of Infancy              (1839), Facts and Faces (1852),
              and The Study of the Human
              Face              (1865). He became Engraver in Ordinary to
              Queen Victoria and exhibited at the Royal Academy from 1842 to
              1857. 
              
                |  | Click on the thumbnails to see full-size
                    images of Woolnoth's engravings of Jean Calvin after Cornelis
                    Dankerts (left) and
                  John Milton after William Faithorne (right). |  |  Woolnoth appears to have executed three Scott-related engravings:
              the 1818 portrait by Andrew
              Geddes, the 1829 portrait by John Graham Gilbert, and an image
              illustrating Tales of the Crusaders (see The Talisman and The
              Betrothed)
              for the March 1826 number of the Lady's Magazine. Bibliography
              Bryan, Michael. Dictionary of Painters
                  and Engravers: Biographical and Critical. New ed., rev.
              and enl., ed. Robert Edmund Graves (London: G. Bell, 1886-1889) 
Buss, Jacques (ed.). Dictionnaire
                  critique et documentaire des peintres, sculpteurs, dessinateurs
                  et graveurs de tous les temps et de tous les pays (Paris:
                  Gründ, 1999)
Houfe, Simon. The Dictionary of 19th Century
                  British Book Illustrators and Caricaturists (Woodbridge:
                  Antique Collectors’ Club,
              1996)
Hunnisett, Basil. A Dictionary of British
              Steel Engravers (Leigh-on-Sea: F. Lewis, 1980)
Redgrave, Samuel. A Dictionary
                        of Artists of the English School: Painters, Sculptors,
                    Architects with Notices of their Lives and Work (London:
                    G. Bell, 1878)
Thieme, Ulrich, and Felix Becker (eds). Allgemeines
                        Lexikon der Bildenden Künstler: von der Antike bis
              zur Gegenwart (Leipzig: Seemann, 1907-50) 
Todd, William. B., and Ann Bowden. Sir
                        Walter Scott: A Bibliographical History, 1796-1832 (New
                Castle, DE: Oak Knoll Press, 1998)  Back to Index 
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