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Articles
and Chapters on Sir Walter Scott Published in 2010
An
Annotated Bibliography
Berton, Jean. 'Translating
Scottish Literary Texts: A Linguistic Clover-Leaf', International
Journal of Scottish Literature, 7 (2010) <http://www.ijsl.stir.ac.uk/issue7/berton.htm>
[accessed 26 August 2011]
Includes a discussion of French translations of
Scott by A.-J-B. Defauconpret and Sylvère Monod.
Bragg,
Tom. 'Scott’s Elementals: Vanishing Points between
Space and Narrative in the Waverley Novels', Studies in the
Novel, 42 (2010), 205-26.
Brown,
Iain Gordon. '"Consigned with indifference to the
chance of an auction": The Lives and Meanings of Sir Walter
Scott’s Writing-Cabinet', Bulletin of the Edinburgh Sir
Walter Scott Club, 2010, 10-20.
Buck,
Michael, and Peter Garside. 'New Materials
Discovered at Abbotsford', Journal of the Edinburgh Bibliographical
Society, 5 (2010), 65-83.
Camden,
Jennifer. 'Scott and the Origins of Historical Romance',
in Secondary Heroines in Nineteenth-Century British and American
Novels (Farnham: Ashgate, 2010), pp. 59-93.
Compares
the roles of Rebecca and Rowena in Ivanhoe
and of Flora MacIvor and Rose Bradwardine in Waverley.
Carruthers,
Gerard, Lindsay Levy, Helena Reilly, Julie Renfrew, and
Mark Wilson. 'Some Recent Discoveries in Robert Burns Studies',
Scottish Literary Review, 2.1 (2010), 143-58.
Includes
(pp. 151-54) a discussion of two satirical broadsides by Burns
('Fy, let us a’ to Kirkcudbright' and 'Buy braw troggin')
in Scott's library at Abbotsford.
Carson,
James P. 'Popular versus Legitimate Authority in Scott's
The Heart of Mid-Lothian', in Populism, Gender, and
Sympathy in the Romantic Novel (Basingstoke: New York: Palgrave
Macmillan, 2010), pp. 45-74.
Carson,
James P. 'Scott and the Romantic Dog', Journal for
Eighteenth-Century Studies, 33 (2010), 647-61.
Noting
the centrality of dogs in Walter Scott's life and novels, this
article argues that animal metaphors mark the transgression of
the boundary between human and animal. Guy
Mannering employs animal metaphor conventionally, with
the hierarchy of dog breeds serving as a model for and rationalisation
of inequality in human society. In The
Black Dwarf, however, Scott questions whether society
can be a founded on a conception of the natural order. For Scott,
dogs provide access to affect and, owing to their connections
with memory, help to construct human subjectivity.
Cavaliero,
Roderick. 'Scott and the Quest for Chivalry: The Myth of
the Crusades', in Ottomania: The Romantics and the Myth of the
Islamic Orient (London: I. B. Tauris, 2010), pp. 159-72.
Discusses
The Betrothed,
Ivanhoe,
The Siege of Malta,
and The Talisman.
Chiu, Kang-yen. 'Orientalism, Hospitality and Empire in The Talisman', in Founder to Shore: Cross-Currents in Irish and Scottish Studies, ed. Shane Alcobia-Murphy, Lindsay Milligan and Dan Wall (Aberdeen: AHRC Centre for Irish and Scottish Studies, 2010), pp. 55-64.
Chyk,
Denys. ‘Retseptsya romanu V. Skotta The Heart
of Mid-Lothian y povisti H. Kvitki-Osnovianenka “Kozyr-Divka”', Naukovi zapysky. Serya ‘Filolohichna’, 15 (2010),
304-12.
Ukrainian-language
article about the reception of Scott's The
Heart of Mid-Lothian on Hryhorii Kvitka-Osnovianenko's
tale 'Kozyr-Divka' (1838).
Cooper,
Joan Garden. 'Ivanhoe: The Rebel Scott and the
Soul of a Nation', Scottish Literary Review, 2.2 (2010),
45-63.
Argues
that in Ivanhoe
Scott examines the idea of exile and belonging through the figure
of Rebecca who becomes a cipher for Scotland’s position
within Britain in 1819.
Cousins, A. D., and Dani Napton. 'The Sexuality of James I in Scott’s The Fortunes of Nigel', The Explicator, 68 (2010), 9-12.
Cronin,
Richard. 'Jack and Gill', in Paper Pellets: British
Literary Culture after Waterloo (Oxford: Oxford University
Press, 2010), pp. 203-28.1
Includes
discussions of Scott's The
Abbot, Guy
Mannering, Minstrelsy
of the Scottish Border, Rob
Roy, Saint
Ronan's Well, and 'The Duel of Wharton and Stuart'.
Cronin,
Richard. 'Pistols and Horsewhips', in Paper Pellets:
British Literary Culture after Waterloo (Oxford: Oxford University
Press, 2010), pp. 123-53.
Includes
discussions of Scott on dueling (pp. 123-24) and on the literary
profession (pp. 145-52), the latter with particular reference
to The Fortunes of
Nigel, Kenilworth,
and Saint Ronan's Well.
Cronin,
Richard. 'Two Dinners', in Paper Pellets: British Literary
Culture after Waterloo (Oxford: Oxford University Press, 2010),
pp. 18-38.
Includes
discussions of Scott's involvement with the Edinburgh Pitt Dinner
of 1821 (pp. 19-20), and the journal The Beacon (pp.
20-22). Also refers to The
Antiquary (pp. 25-31), The
Fortunes of Nigel (pp. 24-25), and The
Abbot (pp. 31-32).
Cronin,
Richard. 'Two Duels', in Paper Pellets: British Literary
Culture after Waterloo (Oxford: Oxford University Press, 2010),
pp. 1-17.
Includes
discussions of Scott's involvement with the Tory journals The
Sentinel and The Beacon (pp. 8-10) and in the events
leading to the duel between Jonathan Christie and John Scott on
16 February 1821 which resulted in the latter's death (esp. pp.
16-17).
Davidson,
Mary Catherine. 'Medievalism and Monolingualism', in Medievalism,
Multilingualism, and Chaucer (Basingstoke; New York: Palgrave
Macmillan, 2010), pp. 17-44.
Includes
a discussion of Ivanhoe
as a work of popular language history.
De
Groot, Jerome. 'Sir Walter Scott: The Waverley Novels and
their Influence', in The Historical Novel (Abingdon: Routledge,
2010), pp. 17-23.
Focuses
in particular on Waverley.
De
Groot, Jerome. 'Theoretical Paradigms: George Lukács
and the Birth of the Historical Novel', in The Historical Novel
(Abingdon: Routledge, 2010), pp. 24-29.
Discusses
Lukács's
reading of Scott in his The Historical Novel (1937) with
particular reference to Waverley.
De
Groot, Jerome. 'Theoretical Paradigms: Manzoni, the "Naked
Historian"', in The Historical Novel (Abingdon: Routledge,
2010), pp. 29-32.
Discusses
Manzoni's transformation of Scott's model for the historical novel,
with particular reference to Waverley.
Degott,
Pierre. 'Walter Scott et l'opéra', Avant-Scène
Opéra, 255 (2010), 64-68.
Part
of an issue dedicated to Rossini's La donna del lago
(1819), an operatic adaptation of The
Lady of the Lake.
Devereux,
David F. 'Two Letters from Joseph Train Relating to his
Early Literary Career and Collaboration with (Sir) Walter Scott',
Transactions of the Dumfriesshire and Galloway Natural History
and Antiquarian Society, 84 (2010), 161-63.
Drake,
George A. '"Fanciful Devotion": Ritualization
in Walter Scott's Old Mortality', Studies in Romanticism,
49 (2010), 133-52.
Duggett,
Tom. 'Introduction', in Gothic Romanticism: Architecture,
Politics, and Literary Form (Basingstoke; New York: Palgrave
Macmillan, 2010), pp. 1-24.
Includes
a discussion of Scott, pp. 11-15.
Fetzer,
Margret. 'Beyond Beginning: Walter Scott's (Para)textualisation
of Scottishness.'
Anglia, 128 (2010), 273-97.
Argues
that the Scotland and Scottishness of Waverley
and Rob Roy
are beyond beginning in that they are significantly textualised,
i.e. implicated in processes of reading and writing. Since these
novels present reading and writing as inseparably entangled, any
hierarchical relation or clear-cut opposition between Scottishness
and Englishness is hard to maintain.There is an equally debatable
boundary between paratext and primary material. Scott's strategies
of (para)textualisation blur and obscure supposedly hard and fast
cultural as well as aesthetic distinctions. They thus undermine
colonial power binaries of English domination and Scottish subordination,
permitting a reading of Scott from a postcolonial perspective.
Fielding,
Penny. '"A Lady of the Isles": Margaret Chalmers’
Letters to Walter Scott and Two New Poems', Scottish Literary
Review, 2.2 (2010), 23-44.
Discusses
letters sent to Scott by the Shetlandic poet Margaret Chalmers
(1758-1827) and two poems that she presented to Scott.
García
Díaz, Enrique. 'Los relatos góticos de Sir
Walter Scott: "La habitación tapizada"', Narrativas,
17 (2010), 42-45 <http://carlosmanzano.net/narrativas/narrativas17.pdf>
[accessed 11 June 2010]
A
brief Spanish-language study identifying Gothic elements in Scott's
short story 'The Tapestried Chamber' and situating them within
the British Gothic tradition.
Garside,
Peter. 'Illustrating the Waverley Novels: Scott, Scotland,
and the London Print Trade, 1819-1836', The Library, 11
(2010), 168-96.
Gottlieb,
Evan. 'Blameless Empires and Long-Forgotten Melodies: Anne
Grant’s The Highlanders, Walter Scott’s The
Lay of the Last Minstrel, and the Poetry of Sympathetic Britishness',
JNT: Journal of Narrative Theory, 40 (2010), 253-74.
Hernández,
Isabel. 'Der Heilige: Zu einer Interpretation
von Conrad Ferdinand Meyers Novelle in der Tradition Walter Scotts',
Angermion, 3 (2010), 117-33.
German-language
article on Der Heilige (1879), a Scott-influenced novella
by Swiss writer Conrad Ferdinand Meyer.
Hilliard,
Raymond F. 'The Murderous "Mother" in The
Heart of Mid-Lothian and The Bride of Lammermoor',
in Ritual Violence and the Maternal in the British Novel, 1740-1820
( Cranbury, NJ: Bucknell University Press, 2010), pp. 205-33.
Hoagwood, Terence.
'Sir Walter Scott: "Ballad Deception", and Romantic
Pseudo-Songs' in From Song to Print: Romantic Pseudo-Songs
(Basingstoke; New York: Palgrave Macmillan, 2010), pp. 23-44.
Discusses
Minstrelsy of
the Scottish Border.
Jordan,
Christopher. 'A Spode Plaque of Abbotsford, Home of Sir
Walter Scott (1771-1832)', Spode Society Review, 3 (May
2010), 974-75.
Discusses
a felspar porcelain plaque of Abbotsford
House made by Spode of Stoke-on-Trent which belongs to the
ceramic collection of the Cuming
Museum, Southwark, London. Concludes that the design is
based on an engraving by William Home Lizars which was published
as a frontispiece to James Morton's Abbeys of Teviotdale
& Abbotsford, the Seat of Sir Walter Scott, Bart. (Edinburgh:
W. H. Lizars, 1832).
Krueger,
Christine L. 'The Motives of Advocacy', in Reading
for the Law: British Literary History and Gender Advocacy (Charlottesville,
Va.: University of Virginia Press, 2010), pp. 201-54.
Includes
(pp. 224-26) a discussion of infanticide in The
Heart of Mid-Lothian, as compared to George Eliot's treatment
of the same theme in Adam Bede.
Krueger,
Christine L. 'Precedent', in Reading for the Law: British
Literary History and Gender Advocacy (Charlottesville, Va.:
University of Virginia Press, 2010), pp. 23-98.
Includes
(pp. 87-91) a discussion of Scott and witchcraft, with particular
reference to Letters
on Demonology and Witchcraft.
Levy,
Lindsay. '"Long live to thy fame and peace to thy
soul": Walter Scott’s Collection of Robert Burns’s
Books and Manuscripts', Scottish Archives, 16 (2010), 32-40.
Lumsden,
Alison. 'Stevenson, Scott and Scottish History', in The
Edinburgh Companion to Robert Louis Stevenson, ed. Penny Fielding
(Edinburgh: Edinburgh University Press, 2010), pp. 70-85.
McCracken-Flesher.
'Over the Water to Memory Loss: Forgetting the Foreign
from Scott to the Scottish Parliament', Quaderni del Premio
Letterario Giuseppe Acerbi, 11 (2010), 70-73.
McDowell,
Paula. '"The art of printing was fatal": Print
Commerce and the Idea of Oral Tradition in Long Eighteenth-Century
Ballad Discourse', in Ballads and Broadsides in Britain, 1500-1800,
ed Patricia Fumerton, Anita Guerrini and Kris McAbee (Farnham: Ashgate,
2010), pp. 35-56.
Includes
a discussion of Minstrelsy
of the Scottish Border which focuses, in particular,
on Scott's contention that the invention of print destroyed the
feudal role of the Minstrel as the preserver of oral tradition.
McLane,
Maureen N. 'Mediating Antiquarians in Britain, 1760-1830:
The Invention of Oral Tradition, or, Close Reading before Coleridge',
in This is Enlightenment, ed. Clifford Siskin and William
Warner (Chicago: University of Chicago Press, 2010), pp. 247-64.
Includes
a discussion of Minstrelsy
of the Scottish Border.
Maillard,
Michel. 'Du poème narratif au livret',
Avant-Scène Opéra, 255 (2010)
- Part
of an issue dedicated to Rossini's La donna del lago
(1819), an operatic adaptation of The
Lady of the Lake. This essay discusses the elaboration
of the libretto by Andrea Leone Trottola. Pagination unknown.
Martínez García,
Montserrat. 'Anti-Nationalism in Scott's Old Mortality',
CLCWeb: Comparative Literature and Culture, 12.1 (2010)
<http://docs.lib.purdue.edu/clcweb/vol12/iss1/5>
[accessed 27 August 2010]
Charts
the relationship between national identity and war in Old
Mortality and examines how far it coincide or conflicts
with the uniform ideology of nationalism. Argues that, far from
being a blinkered nationalist, Scott's narrative of war and its
accompanying ideologies reveal that in the novel historical, political,
and religious identities do not constitute the text as a description
of a homogeneous nation and that Scott's text can stand as a narrative
against nineteenth-century nationalism in England.
Mergenthal,
Silvia. '"An Imaginary Line Drawn through Waste and
Wilderness": Scott's The Talisman', in Romantic
Localities: Europe Writes Place, ed. Christoph Bode and Jacqueline
Labbe (London: Pickering & Chatto, 2010), pp. 209-19.
Moore,
Dafydd. '"A Blank Made": Ossian, Sincerity, and
the Possibilities of Forgery', in Romanticism, Sincerity, and
Authenticity, ed. Tim Milnes and Kerry Sinanan (Basingstoke:
Palgrave Macmillan, 2010), pp. 58-79.
Includes
(pp. 62-69) a discussion of the themes of chivalry and romance
in Waverley.
Moore,
Jane, and John Strachan. 'Sir Walter Scott',
in Key Concepts in Romantic Literature (Basingstoke; New
York: Palgrave Macmillan, 2010, pp. 220-22.
Focuses
on Waverley.
Napton, Dani. 'A Confined Place: The Political Significance of Locale and Language in Woodstock', AUMLA, 114 (2010), 23-38
Newby,
Andrew G. 'A Swedish View of Scott’s Scotland: Carl
Graffman’s Skottska vuer (1830)', History Scotland,
10.3 (2010), 25-30.
Discusses
the travel writing and painting of Swedish landscape artist Carl
Samuel Graffman (1802-62). Focuses on particular on his watercolour
paintings of Abbotsford
and other sites with strong Scott connections such as Roslin and
Stirling Castle.
Oliver,
Susan. 'Ecologies of Disaffection: Interpreting Wastelands
in Charles Brockden Brown’s Edgar Huntly and Walter
Scott’s The Bride of Lammermoor', in An Interpretive
Turn: Art, Literature, and Culture in the 19th and 20th Century,
ed. H. H. Yuan and S. F. Lui (Taipei: Bookman, 2010), pp. 23-39.
Ragussis,
Michael. '"For our English eyes": Regendering
Ethnic Performance in the Novel', in Theatrical Nation: Jews
and other Outlandish Englishmen in Georgian Britain (Philadelphia,
PA: University of Pennsylvania Press, 2010), pp. 163-94.
Includes
a discussion of Flora MacIvor as an 'ethnic heroine' in Waverley.
Rigney,
Ann. 'The Many Afterlives of Ivanhoe', in Performing
the Past: Memory, History, and Identity in Modern Europe, ed.
Karin Tilmans, Frank van Vree, and Jay Winter (Amsterdam: Amsterdam
University Press, 2010), pp. 207-33.
Rowlinson, Matthew.
'Curiosities and the Money Form in the Waverley Novels',
in Real Money and Romanticism (Cambridge: Cambridge University
Press, 2010), pp. 55-99.
Discusses,
in particular, The
Antiquary, The
Betrothed, and The
Talisman.
Sabiron,
Céline. 'Homecoming and Liminality in Walter Scott’s
Guy Mannering', Études écossaises,
13 (2010), 103-17.
Shows
how Scott’s Guy
Mannering stages three different kinds of homecoming
(Bertram/Brown, Meg Merrilies, Mannering himself). The returning
exiles find themselves constantly out of place and time, inhabiting
a liminal space at the periphery of a country and at the margin
of society, and a liminal time between chronological linearity
and cyclical circularity. Ultimately, their homecomings prove
mutually exclusive, as each claims the same home (Ellangowan)
and can only be realized in the literary home created by Scott
himself.
Sabiron,
Céline. 'Places in Translation in Walter Scott's
The Heart of Mid-Lothian', Études anglaises,
63 (2010), 402-11.
The
Heart of Mid-Lothian is Walter Scott’s novel of
mobility, encompassing the whole of Great Britain. Yet, the translation
of verbal maps into geographical ones only leads to a pseudo-translation
as places prove unmappable. Jeanie’s Scottish place of residence
seems to follow her wherever she travels, as if it were ‘transplanted’
or, more precisely, translated. Ungraspable and unfixable, places
are transferred from the real to the imaginary where space and
time are changeable and deformable at will through the imagination
of the narrator, the characters and the reader.
Sabiron,
Céline. 'Le Rôle de l’intertexte et
du palimpseste dans la création d’une Écosse
mythique dans Waverley et Rob Roy de Walter Scott',
E-rea, 7.2 (2010) <http://erea.revues.org/1213>
[accessed 31 August 2010]
Analyses
how Scott's depiction of the Highlands in Waverley
and Rob Roy
rhetorically weaves together images drawn from national myth and
pre-existing literary works in order to create a new post-Union,
post-Culloden Scottisn national identity.
Samuels,
Maurice. 'Romantic Exoticism: Eugénie Foa and the
Dilemmas of Assimilation', in Inventing the Israelite: Jewish
Fiction in Nineteenth-Century France (Stanford, CA: Stanford
University Press, 2010), pp. 37-73.
Includes
a discussion of the influence of Scott's Ivanhoe on the depiction
of Jewish characters in the historical novels of Eugénie
Foa (1796-1852).
Savy,
Nicole. 'De William Shakespeare à Walter Scott',
in Les Juifs des romantiques: le discours de la littérature
sur les Juifs, de Chateaubriand à Hugo (Paris : Belin,
2010).
On
Scott's treatment of Jewish characters and its influence on the
depiction of Jews in French Romanticism; pagination unknown.
Shields,
Juliet. 'Rebellions and Re-Unions in the Historical Novel',
in Sentimental Literature and Anglo-Scottish Identity, 1745-1820
(Cambridge: Cambridge University Press, 2010), pp. 139-72.
Includes
discussions of The
Bride of Lammermoor (pp. 144-52) and St.
Ronan's Well (pp. 165-69).
Simpson,
Erik. '"A Good One Though Rather for the Foreign
Market": Walter Scott, Lord Byron, and the Romantic Mercenary',
in Mercenaries in British and American literature, 1790-1830:
Writing, Fighting, and Marrying for Money (Edinburgh: Edinburgh
University Press, 2010), pp. 90-129.
Stafford,
Fiona. 'Scott’s Border Vision', in Local Attachments:
The Province of Poetry (Oxford: Oxford University Press, 2010),
pp. 135-75.
Focuses
on Minstrelsy
of the Scottish Border.
Stevens,
Anne H. 'Epilogue: Ivanhoe and Historical Fiction',
in British Historical Fiction before Scott (Basingstoke;
New York: Palgrave Macmillan, 2010), pp. 150-63.
Tredennick,
Bianca. '"A Labor of Death and a Labor against Death":
Scott's Cenotaphic Paratexts', European Romantic Review,
21 (2010), 49-64.
Argues
that the paratexts (notes, introductions, etc.) that Scott prepared
for the Magnum Opus edition of the Waverley Novels must be seen
as essential components of his historiography. Through the paratexts,
Scott offers a complex reading of his own historiographic work,
one that denies any simple claims to recapturing or revivifying
the past in favor of an honest reckoning with the way in which
all historical projects become cenotaphic replacements for that
which they seek to memorialize.
Wallace,
Tara Ghoshal. 'Rhetorical Manipulations: Walter Scott's
Guy Mannering and "The Surgeon's Daughter"',
in Imperial Characters: Home and Periphery in Eighteenth-Century
Literature (Lewisburg, PA: Bucknell University Press, 2010),
pp. 146-66.
An
earlier version appeared in
European Romantic Review, 13 (2002).
Watson,
Nicola J. 'Readers of Romantic Locality: Tourists, Loch
Katrine and The Lady of the Lake', in Romantic Localities:
Europe Writes Place, ed. Christoph Bode and Jacqueline Labbe
(London: Pickering & Chatto, 2010), pp. 67-79.
Wolfson,
Susan J. 'Gazing on "Byron": Separation and Fascination',
in Romantic Interactions: Social Being and the Turns of Literary
Action (Baltimore, MD: Johns Hopkins University Press, 2010),
pp. 211-52.
Includes
a discussion of Scott's views on Byron.
Zarandona Fernández, Juan Miguel. ‘La recuperación del libreto de la ópera Artús (1897) de Amadeu Vives (1871-1932): una reescritura de los versos artúricos de Walter Scott’, in Reescrituras y traducción: perspectivas comparatistas (Barcelona: Universitat Pompeu Fabra – SELGYC, 2010), II: 173-85.
Spanish-language article on the opera Artús (1897) by Catalan composer Amadeu Vives, with a libretto by Sebastià Trullol based on Scott's poem The Bridal of Triermain.
Notes
1
There are numerous references to Scott throughout Cronin's monograph.
The current page lists only those chapters where they appear to
be most extensive.
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