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New Editions of Scott's Works
This page provides an annotated bibliography of new editions of
Scott's works published since January 2000. It includes only editions
with significant new editorial or critical content, or reprints
of texts which have long been commercially unavailable. It does
not include the growing number of print-on-demand or e-book facsimiles
of earlier editions. Click here
for a list of freely available e-texts of Scott's works. Click here
for a list of recent editions of Scott in translation.
The Abbot | Anne
of Geierstein | The Antiquary
| The Betrothed | 'Bizarro'
| The Bride of Lammermoor | Castle
Dangerous | Chronicles of the Canongate
| Count Robert of Paris |
The Fortunes of Nigel | Guy
Mannering | The Heart of Midlothian
| Ivanhoe | The
Lady of the Lake | Letters on
Demonology and Witchcraft | The
Life of Napoleon Buonaparte | Marmion
| The Monastery | Peveril
of the Peak | The Pirate |
Quentin Durward | Redgauntlet
| Reliquiae Trotcosienses | Rob
Roy | 'Rosabelle' | Shorter
Fiction | The Siege of Malta |
Sir Tristrem | 'The
Surgeon's Daughter' | Tales of a Grandfather
| The Talisman | 'The
Two Drovers' | 'Wandering Willie's Tale'
| Waverley | Woodstock
The Abbot, ed. Christopher Johnson
(Edinburgh: Edinburgh University Press, 2000) xvi, 553 p. The Edinburgh
Edition of the Waverley Novels, vol. 10. ISBN: 0748605754.
The Edinburgh Edition of the Waverley Novels is
the first critical edition of Scott's fiction. It employs the
first edition of Scott's novels as the base-text but incorporates
manuscript readings lost through accident, error, misunderstanding,
or a misguided attempt to improve, as printers struggled to set
and print novels at high speed in often difficult circumstances.
Each volume contains an essay on the work's genesis, composition,
and editorial history, an historical note, a list of emendations,
explanatory notes, and a glossary. This edition of Scott's 1820
novel The Abbot
also draws on the evidence of early American editions based on
an uncorrected second proof copy of Scott's text. The 'Historical
note' seeks to produce the first coherent account of the family
relationships in the novel.
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Anne of Geierstein, ed. J. H.
Alexander (Edinburgh: Edinburgh University Press, 2000) xvi, 580
p. The Edinburgh Edition of the Waverley Novels, vol. 22. ISBN:
074860586x.
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The editor J. H. Alexander argues that Anne
of Geierstein (1829) is a remarkably modern novel, dealing
with the political instability and violence that arise from the
mix of peoples and the fluidity of European boundaries. An unjustly
overlooked work, it illustrates the darkening of Scott's historical
vision in the final part of his career.
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The Antiquary, ed. and introd.
Nicola Watson (Oxford; New York: Oxford University Press, 2002)
xxxviii, 483 p. Oxford World Classics. ISBN: 0192831879
Based on the Magnum Opus edition of 1829. Editor
Nicola Watson presents The
Antiquary (1816) as Scott's most persistently overlooked
work. She argues that its self-conscious and highly ironized exploration
of the problems of retrieving and interpreting the historical
can be seen as the key to the whole Waverley enterprise. Written
in the aftermath of Waterloo, it is concerned with re-establishing
the proper transmission of identity and inheritance, making the
illegitimate legitimate, and restoring proper relations between
past and present.
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The Betrothed, ed. J. B.
Ellis, J. H. Alexander, and David Hewitt (Edinburgh: Edinburgh University
Press, 2009) xvi, 430 p. The Edinburgh Edition of the Waverley Novels,
vol. 18a. ISBN: 9780748605811
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note explores the novel's setting at the time of
the Third Crusade (1189–92) and shows how the heroine's
fate is always determined by the agency of men as both individual
claimants and differing cultures (Anglo-Norman and Welsh) strive
for mastery over her. The
Betrothed (the first of Scott's Tales of the Crusaders)
is presented as a problem novel. Just as Scott was describing
the full horrors of medieval arranged marriage, he was himself
arranging the marriage of his elder son.
It is a problem novel too in that it was deeply disliked by Scott's
printer and publisher who forced significant changes. What Scott
was required to do to meet their objections has been confronted
for the first time in this, the first critical edition of the
novel.
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The Bride of Lammermoor, ed.
J. H. Alexander, introd. Kathryn Sutherland (London; New York: Penguin
Books, 2000) lii, 346 p. ISBN: 0140436561
Based on the 1996 Edinburgh Edition (also edited
by Alexander), reproducing the text of the novel, historical note,
explanatory notes, and glossary. A new critical introduction by
Kathryn Sutherland calls into question J.G. Lockhart's account
of the involuntary composition of The
Bride of Lammermoor (1819) by a seriously ill and heavily
drugged author. Stressing Scott's many interventions at proof
stage and his use of a pre-existing source narrative, she presents
the novel as a lucid meditation on the distinctions between oral
and print narrative and between the tasks of romance and realism.
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Castle Dangerous,
ed. J. H. Alexander (Edinburgh: Edinburgh University Press, 2006)
xvi, 424 p. The Edinburgh Edition of the Waverley Novels, vol. 23.
ISBN: 0748605886
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note charts how Castle
Dangerous is the realisation of a thirty-year old project
to retell a story found in Barbour’s Brus. During
the Scottish Wars of Independence, an English knight for a love
wager commits himself to defend Douglas Castle against Scottish
attempts to retake it. The ballad-like story embraces intriguing
elements including national rivalry, and the idealisation and
betrayal of love. The Douglas area, seen as an almost surrealist
landscape of ravines, trenches, and tombs forms an appropriate
setting for an impressively bleak narrative.
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Chronicles of the Canongate,
ed. Claire Lamont (Edinburgh: Edinburgh University Press, 2000)
xvi, 516 p. The Edinburgh Edition of the Waverley Novels, vol. 20.
ISBN: 0748605843
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
Chronicles of the
Canongate (1827), Scott's only short-story collection,
is here published in its original form, complete with its framing
narrative, for only the second time since Scott's death. Claire
Lamont traces the long ancestry of tales within a framework in
European and Oriental literature, and argues that Scott adapts
the genre with consummate skill. Collectively, 'The
Two Drovers', 'The Highland
Widow', and 'The Surgeon's
Daughter' constitute a themed work treating cultural conflicts
and difficulties of social translation in the new Britain and
its growing empire in the thirty years from 1756.
Chronicles of the Canongate,
ed. Claire Lamont (London; New York: Penguin Books, 2003) xlvi,
427 p. ISBN: 0140439897
Based on the 2000 Edinburgh Edition (also edited
by Lamont), reproducing the text of the tales and connecting narrative,
historical note, explanatory notes, and glossary. The critical
material from the Edinburgh Edition is expanded into an introduction
where the Chronicles is presented as three thematically
united tales of protagonists leaving post-Union Scotland to seek
their fortune elsewhere. Each tale is, however, tragic in its
conclusion, preventing any sense of triumph at Scotland's growing
internationalism.
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Count
Robert of Paris, ed. J. H. Alexander (Edinburgh: Edinburgh
University Press, 2006) xvi, 562 p. The Edinburgh Edition of the
Waverley Novels, vol. 23a. ISBN: 0748605878
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
Count Robert of Paris,
condemned by Scott’s printer as ‘altogether a failure’,
was originally prepared for publication by his son-in-law, J.
G. Lockhart and his publisher Robert Cadell. J. H. Alexander argues
that they produced a bowdlerised, tamed and tidied version of
what Scott had written and dictated. This edition returns to the
manuscript and to the many surviving proofs in order to realise
Scott’s original intentions. The novel has many roughnesses,
but it also challenges the susceptibilities of Scott's readers
more directly than any other. It is that which offended the lesser
men who condemned it.
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The Fortunes of Nigel, ed.
Frank Jordan (Edinburgh: Edinburgh University Press, 2004) xvi,
770 p. The Edinburgh Edition of the Waverley Novels, vol. 13. ISBN:
0748605770
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
For Frank Jordan, The
Fortunes of Nigel (1822) sits among Walter Scott’s
richest creations in political insight, range of characterisation
and linguistic virtuosity. Well versed in the political literature
of the period, Scott draws a detailed picture of London in the
early 17th century while charting the effects of Scottish influx
into the English capital. He masterfully traces a complex web
of political and sexual intrigue, and of financial dealings and
double-dealing. Steeped in Jacobean drama, this tale shows Scott
revelling in the linguistic riches of the age. Previous editions
have obscured his stylistic virtuosity, but painstaking examination
of the manuscript and proofs allows the full vigour of Scott’s
achievement to be savoured for the first time.
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Guy Mannering, ed. P. D.
Garside, introd. Jane Millgate (London; New York: Penguin Books,
2003) xlv, 459 p. ISBN: 014043657X
Based on the 1999 Edinburgh Edition (also edited
by Garside), reproducing the text of the novel, historical note,
explanatory notes, and glossary. A new introduction by Jane Millgate
argues that the difficulty of squaring Guy
Mannering (1815) with a Lukácsian view of the
historical novel has prevented critics from appreciating its originality.
The use of two heroes (Mannering and Bertram) is, in many ways,
as innovative as Waverley
but it was not until the end of the 19th century that novelists
like James learned from Scott's complex representation of a middle-aged
hero.
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The Heart of Mid-Lothian,
ed. David Hewitt and Alison Lumsden (Edinburgh: Edinburgh University
Press, 2004) xvi, 770 p. The Edinburgh Edition of the Waverley Novels,
vol. 6. ISBN: 0748605703
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The first edition of The
Heart of Mid-Lothian (1818) was peculiarly beset by copy-editing
errors. Hewitt and Lumsden here attempt to create an 'ideal first
edtion', working from Scott's manuscript and rejecting modifications
introduced in the seven subsequent editions published in Scott's
lifetime. The historical note presents the novel as Scott's only
chronicle, spanning the life of David Deans, and charting revolutionary
changes in the legal, religious, and cultural life of Scotland.
The essay on the novel's genesis disputes Lockhart's account,
and suggests that Scott took to heart Thomas McCrie's critique
of his treatment of the Covenanters and sought to redress the
balance through his portrayal of David and Jeannie Deans.
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Ivanhoe, ed. and introd. Graham
Tulloch (London; New York: Penguin Books, 2000) xlv, 496 p. ISBN:
0140436588
Based on the 1997 Edinburgh Edition (also edited
by Tulloch), reproducing the text of the novel, historical note,
explanatory notes, and glossary. A new critical introduction by
Tulloch explores the conflicts dramatized in Ivanhoe
(1820) between medieval and modern, history and romance, reality
and fantasy, dialogue and revelation, disinheritance and the return
of the true heir, and deracination and settlement. He argues that,
rather than presenting an unambiguous myth of national unity,
the novel's conclusion offers both integration and exclusion,
settlement and deracination, peace and the continuing potential
for violence.
Ivanhoe, introd. David
Blair (London: Wordsworth, 2000) xxii, 439 p. Wordsworth Classics.
ISBN: 1853267481
Based on the 1830 Magnum Opus edition, with corrections
made against Scott's working materials and incorporating readings
from Scott's manuscript.
Ivanhoe, afterword by
Sharon Key Penman (New York: Signet Classic, 2001) 508 p. ISBN:
0451527992
Reprint of the 1962 Signet edition, using the
1904 Dryburgh text with a new afterword.
Ivanhoe, introd. Diana
Gabaldon (New York: Modern Library, 2001) xlvii, 538 p. Modern Library
Classics. ISBN: 0679642234
Unseen text; edition details unknown.
Sir Walter Scotts 'Ivanhoe':
Newly Adapted for the Modern Reader, by David Purdie
(Edinburgh: Luath Press Limited, 2012) 288 p. ISBN: 9781908373267
A retelling of Scott's novel for a modern audience
which cuts its length by more than half.
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The Lady of the Lake,
ed. Thomas
Crawford, introd. Douglas Gifford, forward by Alex Salmond, ill.
Linda Farquharson (Glasgow: Association of Scottish Literary Studies,
2010) 256 p., ill. ISBN-10: 094887791X, ISBN-13: 9780948877919
To mark the 200th anniversary of The
Lady of the Lake, the Association
for Scottish Literary Studies, in partnership with the Loch
Lomond and The Trossachs National Park, has produced a brand-new
edition, with newly commissioned illustrations by leading Scottish
artist Linda Farquharson. The text is extensively annotated.
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Letters on Demonology and Witchcraft,
introd. P. G. Maxwell-Stuart (Ware: Wordsworth in association with
the Folklore Society, 2001) 239 p. ISBN: 1840225114
A reprint of Scott's 1830 study with the author's
notes. Tracing Scott's lifelong interest in magic, P.G. Maxwell-Stuart
argues that he does not simply make a post-Enlightenment distinction
between superstitious past and rational present but expresses
reservations about the scientific claims of his own day. Letters
on Demonology and Witchcraft is at once 'a nineteenth-century
demonological treatise in the grand tradition, a collection of
stories told by a master of his craft, and an invaluable insight
into the continuance of magic and witchcraft in an industrial
age'.
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Marmion, a Tale of Flodden Field: A
Poem in Six Cantos (Honolulu: University Press of
the Pacific, 2001) 234 p. ISBN: 0898753821.
Facsimile reprint of the original 1808 edition
of Marmion,
reproduced from the best available copy, digitally enhanced.
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The Monastery, ed. Penny
Fielding (Edinburgh: Edinburgh University Press, 2000) xvi, 509
p. The Edinburgh Edition of the Waverley Novels, vol. 9. ISBN: 0748605746
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
Clarifying the novel's political background, editor Penny Fielding's
historical note analyses how The
Monastery (1820) is marked by conflict between a Catholic
group pursuing the 'auld alliance' between Scotland and France,
and a pro-English group who embraced Protestantism and sought
to limit the powers wielded by the Catholic Queen Mary Stuart.
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Napoleon Bonaparte: His Biography,
ed Richard Michaelis (London: Gibson Square, 2003) 600 p. ISBN:
1903933234
Struck by the freshness of Scott's views on Napoleon,
Richard Michaelis has produced an abridged and annotated edition
of The Life of Napoleon
Buonaparte (1827-28).
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Peveril of the Peak,
ed. Alison Lumsden (Edinburgh: Edinburgh University Press, 2007)
xvi, 744 p. The Edinburgh Edition of the Waverley Novels, vol. 14.
ISBN: 9780748605781
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note to the first scholarly edition of Scott's
longest novel outlines how Peveril
of the Peak explores the on-going tensions between Cavalier
and Puritan loyalties during the fraught years of Restoration
England. Ranging from Derbyshire to the Isle of Man and culminating
in London, it is a novel which interweaves political intrigue,
personal responsibilities and the ways in which the forces of
history are played out in the struggles of individual human lives.
But its true subject is perhaps the role of narration and the
limits of storytelling itself.
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The Pirate, ed. Mark Weinstein
and Alison Lumsden (Edinburgh: Edinburgh University Press, 2000)
xvi, 607 p. The Edinburgh Edition of the Waverley Novels, vol. 12.
ISBN: 0748605762
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The editors' historical note situates The
Pirate (1822) in 1689 and suggests that Scott intends
a parallel between the Glorious Revolution and the passing of
the old order in Orkney and Shetland as Norwegian Udaller gives
way to Scottish laird. It also stresses a further parallel with
agricultural debate in Scott's own day as the novel balances the
need to improve the agricultural methods of a subsistence economy
against the force of tradition and the human cost of rapid change.
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Quentin Durward, ed. J. H.
Alexander and G. A. M. Wood (Edinburgh: Edinburgh University Press,
2001) 595 p. The Edinburgh Edition of the Waverley Novels, vol.
15. ISBN: 0748605797
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note shows how in Quentin
Durward (1823), his first fictional foray onto the European
continent, Scott studies the disintegration of the feudal system
in fifteenth-century France, the first modern European state.
It goes on to analyze Scott's imaginative use of his principal
source, Philippe de Commynes's Chronique et Histoire, generally
regarded as the first example of modern analytical history.
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Redgauntlet, ed. G. A.
M. Wood and David Hewitt, introd. David Hewitt (London; New York:
Penguin, 2000) xlvii, 481 p. Penguin Classics. ISBN: 0140436553
Based on the 1997 Edinburgh Edition of Redgauntlet
(1824), reproducing the text of the novel, historical note, explanatory
notes, and glossary. A new critical introduction by David Hewitt
depicts Darsie Latimer as the image of the Romantic artist who
rebels against inherited discourses and through writing comes
to understand himself but also to isolate himself. Darsie, he
argues, articulates the values generated by a profound cultural
shift in which the individual becomes more important than society.
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Reliquiae Trotcosienses: Or,
the Gabions of the Late Jonathan Oldbuck Esq. of Monkbarns,
ed. Gerard Carruthers and Alison Lumsden (Edinburgh: Edinburgh University
Press, 2004) 160 p. ISBN: 0748620729
This is the first complete edition of one of Scott's
last works, edited from the manuscript recently relocated in the
library at Abbotsford. Reliquiae
Trotcosienses is a guide to Abbotsford and to its collections,
and illustrates in miniature all the different ways in which Scott
tried to recover the past: in building, in collecting, and in
the multiple acts of narration which invest objects with significance.
But it is simultaneously a work of fiction, which satirises the
impulses of antiquarian collection, and a personal, elegiac creation.
As he approaches death, the narrator recognises that the house,
its artefacts, and above all the writings will live on to mourn
their begetter.
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Rob Roy, introd. Allan Massie,
wood engravings by George Tute (London: Folio Society, 2001) xv,
500 p.
Follows the text of the first edition (1818),
with minor emendations and with a glossary derived from the 'Glossary
to the Waverley Novels' published in 1833 as part of the Magnum
Opus. The volume is bound by Cambridge University Press in buckram
with paper sides hand-marbled by Ann Muir. In his introduction,
Allan Massie argues that Rob
Roy asserts the moral superiority of commerce over the
world of feudal honour represented by Rob. Its true hero is Baillie
Nicol Jarvie who forces us to see that civil society has virtues
that uncivil society, however glamorous, cannot conceive.
Rob Roy,
ed. David Hewitt (Edinburgh: Edinburgh University Press, 2008) xvi,
596 p. The Edinburgh Edition of the Waverley Novels, vol. 5. ISBN:
9780748605699
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note argues that Rob
Roy is less concerned with the Jacobite Rising than with
the economic and political conditions which brought it about,
and the remarkable entrepreneurial spirit of the new Hanoverian
capitalists which resisted it. It celebrates the freebooting daring
of the hero's father in the City of London and, in the figure
of the Glasgow merchant Nicol Jarvie, the robust balancing of
generosity and selfish calculation which is required in successful
enterprise.
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Rosabelle: Harold’s Song,
Bard of Brave St. Clair of Rosslyn Castle, Midlothian & Ravenscraig
Castle, Kirkcaldy, from 'The Lay of the Last Minstrel',
introd. Duncan Glen (Kirkcaldy: Akros, 2006)
ISBN: 0861421779
Contains a lyric sung by Harold, Bard to the St.
Clair (Sinclair) family, in canto VI, stanza 32 of The
Lay of the Last Minstrel.
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The Shorter Fiction, ed. Graham
Tulloch and Judy King (Edinburgh: Edinburgh University Press, c2009)
xvi, 263 p. The Edinburgh Edition of the Waverley Novels, vol. 24.
ISBN: 9780748605897
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
This collection of eight pieces of shorter fiction from periodicals
extends from a satirical piece appearing in 1811 in The Edinburgh
Annual Register through stories from The Sale-Room
and Blackwood's Edinburgh Magazine to four stories published
late in his life in The Keepsake. Only three of these
stories were regularly reprinted. The other five are here made
readily available for the first time, and show both Scott's versatility
and his continuous exploration of the possibilities of fiction.
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The Siege of Malta, and, Bizarro,
ed. J. H. Alexander, Graham Tulloch, and Judy King (Edinburgh:
Edinburgh University Press, c2008) xiv, 511 p. + 1 CD-ROM. The Edinburgh
Edition of the Waverley Novels. ISBN-10: 0748624872, ISBN-13: 978-0748624874
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The Siege of Malta and 'Bizarro' are Scott's final works,
written in Malta and Italy in 1831-32. Although extracts from
the former have been published, this is the first complete edition.
The Siege of Malta begins as a novel but ends as a historical
account of the defence of Malta by the Order of St John of Jerusalem
against much larger Muslim forces. It is an epic tale of endurance,
resulting in the most hard-won of victories and setting the scene
for the subsequent development of the Maltese nation. In the incomplete
novella 'Bizarro', here published for the first time, Scott takes
up the story of a notorious Calabrian brigand. He draws upon his
experience of visiting Naples and its surroundings and pre-exising
knowledge of Neapolitan history to tell a tale of passion, murder
and revenge with a level of violence rarely seen in his earlier
work. An accompanying CD-Rom provides access to a digital reproduction
of the manuscripts.
Sir Tristrem, in The Invention
of Middle English: An Anthology of Primary Sources, ed. David
Matthews (University Park: Pennsylvania State University Press,
2000), pp. 138-57.
Annotated reprint of Sir Walter Scott's 1804 edition
of the medieval romance fragment Sir Tristrem (see Scott
the Poet), together with most of Scott's introductory essay.
The editor's own introductory notes comment on the extraordinary
persistence of Scott's vision of a Scottish Sir Tristrem,
the work of Thomas of Ercildoune, rather than a Middle-English
one. Includes suggestions for further reading on Scott's medievalism.
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The Surgeon's Daughter (Honolulu:
University Press of the Pacific, 2002) 170 p. ISBN: 0898759129
Unseen text; facsimile of unidentified edition
of Scott's 1827 novella.
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Tales of a Scottish Grandfather,
introd. George Grant (Nashville, Tenn.: Cumberland House, 2001)
4 vols. ISBN 1581821271, 158182128x, 1581821298, 1581821476
Reprint of the first three series of Scott's Tales
of a Grandfather (1827-29), dealing with Scottish history
up to the 1745 Rebellion. A brief introduction argues that by
1827, Scott had become the 'world spokesman for all things Celtic',
and was single-handedly responsible for reviving Scottish national
pride. The volumes include a tabular chronology of the monarchs
of Scotland and Scott's own notes to the text.
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The
Talisman, ed. J. B. Ellis, J. H. Alexander, P. D. Garside,
and David Hewitt (Edinburgh: Edinburgh University Press, 2009) xvi,
440 p. The Edinburgh Edition of the Waverley Novels, vol. 18b. ISBN:
9780748605828
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note explores the novel's setting in Palestine
during the Third Crusade (1189–92) and shows how Scott constructs
a story of chivalric action, apparently adopting a medieval romance
view of the similarities in the values of both sides. But disguise
is the leading theme of The
Talisman: it is not just that characters frequently wear
clothing that conceals their identity, but that professions and
cultures hide their true nature. In this novel the Christian leaders
are divided by a factious criminality, and are contrasted to the
magnanimity and decisiveness of Saladin, the leader of the Muslim
armies. In a period when the West was fascinated with the exotic
East, Scott represents the Muslim other as more humane than the
Christian West. The Talisman (the second of Scott's Tales
of the Crusaders) is one of Scott's great novels. It is also
a bold departure as, for the first time, Scott explores not cultural
conflict within a country or society but in the opposition of
two world religions.
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Two Stories (Edinburgh:
Canongate, 2001) 144 p. Canongate Pocket Classics. ISBN: 1841951609
Contains 'Wandering Willie's Tale' from Redgauntlet
(1824) and 'The Two
Drovers' from Chronicles
of the Canongate (1827).
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Waverley, ed.
Peter Garside (Edinburgh: Edinburgh University Press, 2007) xvi,
641 p. The Edinburgh Edition of the Waverley Novels, vol. 1. ISBN:
9780748605675
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
The historical note shows how Edward Waverley in his journey into
Scotland, down to Derby, and back up again, explores the cultural
and political geography of Great Britain. Although Waverley
was Scott's first novel, it appears as one of the last volumes
in the Edinburgh Edition, so that the full weight of experience
gained from editing Scott's fiction can be brought to understanding
his most influential novel. To this edition, P. D. Garside brings
new insights and new information, establishing a text significantly
different from its predecessors.
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Woodstock, ed.
Tony Inglis, J. H. Alexander, David Hewitt, and Alison Lumsden (Edinburgh:
Edinburgh University Press, 2009) 654 p. The Edinburgh Edition of
the Waverley Novels, vol. 19. ISBN: 9780748605835
For the Edinburgh Edition of the Waverley novels,
see the entry on The Abbot above.
Woodstock,
the editors argue, opens in farce but is one of Scott's darkest
novels. It deals with revolution, to Scott the most disturbing
of all subjects. Written during the
financial crisis which led to his insolvency in January 1826,
the novel, Scott feared, 'would not stand the test'. Yet it does:
it is set in England in 1651 as Parliamentary forces hunt the
fugitive Charles Stewart who days previously had been defeated
at Worcester. In the superb portrait of Cromwell we see a self-torturing
despot who attempts to be in full control in the name of religion;
in the rakish Charles we see a man without self-reflection whose
own libertarianism after his restoration to the English throne
in 1660 permitted a great burgeoning in scientific enquiry and
the arts.
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Last updated: 7-May-2013
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