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Articles
and Chapters on Sir Walter Scott Published in 2008
An
Annotated Bibliography
Alloway,
Ross. 'Cadell and the Crash', Book History, 11
(2008), 126-47.
Argues
that our understanding of the collapse of Scott’s publishers,
Archibald Constable and Co. (see Financial
Hardship) has been distorted by misapprehension of the role
of Robert Cadell, the firm’s chief financial officer. Often
portrayed as a scheming businessman who led a great writer and
publisher to their downfall, Cadell’s business acumen in
fact single-handedly delayed disaster for far longer than would
have been possible without his aid and very nearly saved Scott.
Bernauer,
Markus. 'Historical Novel and Historical Romance', in Romantic
Prose Fiction, ed. Gerald Gillespie, Manfred Engel, and Bernard
Dieterle (Amsterdam: Benjamins, 2008), pp. 296-324.
Includes
discussions of 'Scott's Pivotal Contribution to the Discourse
on History in Literature' (pp. 296-99) and 'Historicizing the
Romance of Old and New Worlds' (on Waverley
and Ivanhoe,
pp. 305-10, 316-18).
Bernhart,
Walter. '"Liebling der ganzen Welt": Sir Walter
Scott als Inspiration für die romantische Oper und Donizettis
Lucia di Lammermoor', in Gaetano Donizetti: Lucia di
Lammermoor: Programmheft Theater Graz (Graz: Theater Graz,
2008), pp. 6-18.
German-language
essay charting Scott's influence on Romantic opera and, in particular,
on Donizetti's Lucia di Lammermoor (based on Scott's
The Bride of
Lammermoor).
Block,
Daniel Robert. 'Feeling for Barbarity: The Ironic Minstrelsy
of Walter Scott's Waverley', in Engaged Romanticism:
Romanticism as Praxis, ed. Mark Lussier and Bruce Matsunaga
(Newcastle upon Tyne: Cambridge Scholars, 2008), pp. 41-57.
Boddy,
Kasia. 'The English Golden Age', in Boxing: A Cultural
History (London: Reaktion, 2008), pp. 26-54.
Includes
(pp. 47-48) a discussion of Scott's 'The
Two Drovers'.
Brown,
Marshall. 'Poetry and the Novel', in The Cambridge
Companion to Fiction in the Romantic Period, ed. Richard Maxwell
and Katie Trumpener (Cambridge: Cambridge University Press, 2008),
pp. 107-28.
Challenges
(pp. 116-23) the critical orthodoxy that Scott turned to prose
to accommodate multiple viewpoints impossible in poetry. Notes
that the poems in his novels are associated with the primitive
past, popular present, or voice of individual feeling, charting
the limits of the knowable and sharing a quality of impalpable
transcendence. Poetry does not find its fulfillment in prose complexity;
rather, prose finds its fulfillment in poetic intensity.1
Burley,
Stephen. 'Hazlitt’s Preface to Political Essays
and Walter Scott’s Old Mortality', Notes and
Queries, 55 (2008), 437-39.
Notes
that Hazlitt’s opening sentence in the preface to Political
Essays (1819) echoes Major Bellenden’s statement at
the siege of Tillietudlem Castle in Old
Mortality: 'I am no politician.' Charts the wider political
context of the allusion, exploring the relationship between the
two authors and the nature of Hazlitt's opposition to Scott.
Costantini,
Cristina. 'The Jews and the Common Law: A Question of Traditions
and Jurisdictions: An Analysis through W. Scott's Ivanhoe',
Textus, 21 (2008), 467-86.
Duncan,
Ian. 'Edinburgh and Lowland Scotland', in The Cambridge
History of English Romantic Literature, ed. James Chandler
(Cambridge: Cambridge University Press, 2008), pp. 159-81.
Includes
(pp. 172-74) a discussion of Scott and the historical novel with
particular reference to Waverley
and Redgauntlet.
Duncan,
Ian. 'Scotland and the Novel', in The Cambridge Companion
to Fiction in the Romantic Period, ed. Richard Maxwell and
Katie Trumpener (Cambridge: Cambridge University Press, 2008), pp.
251-64.
Argues
that Scott's massive success encouraged rather than deterred the
production of alternative forms of Scottish fiction. The experimental
richness of Scott's novels opened up the literary field, provoking
further innovations. In particular, the Blackwoodian group of
James Hogg, John Galt, John Wilson, and J. G. Lockhart drew on
Tales of My
Landlord to create the 'regional tale', making regional
identity (the traditions of their respective districts) the foundation
for their own claims on originality.
Duncan,
Ian. 'Sympathy, Physiognomy, and Scottish Romantic Fiction',
in Recognizing the Romantic Novel, ed. Jill Heydt-Stevenson
and Charlotte Sussman (Liverpool: Liverpool University Press, 2008),
pp. 249-69.
Includes
a comparative study of James Hogg's Private Memoirs and Confessions
of a Justified Sinner and Scott's Redgauntlet.
Durand-Le
Guern, Isabelle. 'Walter Scott', in Le Roman historique
(Paris: Armand Colin, 2008).
Pagination
unknown.
Dyer,
Gary. 'The Transatlantic Pocahontas', Nineteenth-Century
Contexts, 30 (2008), 301-22.
Argues
that Scott was aware of and interested in the story of Pocahontas,
and that it helped to shape Ivanhoe.
In its new form, the tale re-crossed the Atlantic and informed
Catharine Maria Sedgwick’s seventeenth-century romance Hope
Leslie (1827).
Elfenbein,
Andrew. 'Sentencing Romanticism', in Romanticism and
the Rise of English (Stanford, CA: Stanford University Press,
2008), pp. 144-84.
Includes
(pp. 162-68) a discussion of Scott, with particular reference
to The Monastery.
(There are further references to Scott throughout this monograph.)
Eriksonas,
Linas. 'Towards the Genre of Popular National History:
Walter Scott after Waterloo', in Narrating the Nation: The Representation
of National Narratives in Different Genres, ed. Stefan Berger,
Linas Eriksonas, and Andrew Mycock (Oxford: Berghahn Books, 2008),
pp. 117-32.
Ferris,
Ina. 'Transformations of the Novel - II', in
The Cambridge History of English Romantic Literature, ed.
James Chandler (Cambridge: Cambridge University Press,
2008), pp. 473-89.
Includes
(pp. 484-87) a discussion of Scott's contribution to the historical
novel.
Fischerová,
Andrea. 'Reading the Nation(s): Walter Scott', in Romanticism
Gendered: Male Writers as Readers of Women's Writing in Romantic
Correspondence (Newcastle upon Tyne: Cambridge Scholars, 2008),
pp. 204-68.
Focuses
in particular on Scott's reading of Joanna Baillie and Maria Edgeworth.
Furr,
Derek. 'Romantic Novels and their Poetry', Romantic
Pedagogy Commons (August 2008) <http://www.rc.umd.edu/pedagogies/commons/novel/furr.html>
[accessed 8 June 2009]
Gamer,
Michael. 'A Select Collection: Barbauld, Scott, and the
Rise of the (Reprinted) Novel', in Recognizing the Romantic
Novel, ed. Jill Heydt-Stevenson and Charlotte Sussman (Liverpool:
Liverpool University Press, 2008), pp. 155-91.
Includes
a discussion of Scott's role in the selection and pubilcation
of Ballantyne's Novelists' Library.
García
González, José Enrique. 'Waverley ó
Hace sesenta años de Walter Scott, en la traducción
de Francisco Gutiérrez-Brito e Isidoro López Lapuya
(S.A., ¿1910?)', Biblioteca Virtual Miguel de Cervantes
(2008) <http://www.cervantesvirtual.com/servlet/SirveObras/12470521122383728432435/p0000001.htm#I_0_>
[accessed 11 June 2010]
An
essay accompanying a digital reprint of an early twentieth-century
translation of Waverley
by Francisco Gutiérrez-Brito and Isidoro López Lapuya,
which provides a) a brief overview of Scott's Spanish reception,
b) a translation history of Waverley, and c) an analysis
of the Gutiérrez-Brito/López Lapuya translation
on three levels: pretextual, macrostructural and microstructural.
Garside,
Peter. 'The Baron’s Books: Scott’s Waverley
as a Bibliomaniacal Romance', Romanticism, 14 (2008), 245-58.
Explores
the genesis of Waverley
through a close study of Scott’s book-buying, marginalia,
and collecting practices, and discusses these in the context both
of existing collections in Abbotsford Library and early nineteenth-century
‘bibliomania’. Also considers the possible influence
of Richard Cumberland's 1809 novel John de Lancaster
on Waverley, particularly in the characterization of
Baron Bradwardine.
Garside,
Peter. 'Reviewing Scott : A Hogg notice of Guy Mannering
in the Caledonian Mercury', Studies in Hogg and his
World, 19 (2008), 66-80.
Goode,
Mike. 'Mediating Romantic Historical Novels', Romantic
Pedagogy Commons (August 2008) <http://www.rc.umd.edu/pedagogies/commons/novel/goode.html>
[accessed 8 June 2009]
Outlines
the major challenges of teaching Romantic historical novels, with
particular emphasis on the Waverley Novels, and offers practical
classroom strategies to address those challenges.
Gottlieb,
Evan. 'Unvarnished Tales and Fatal Influences: Teaching
the National Tale and the Historical Novel in the Romantic Classroom',
Romantic Pedagogy Commons (August 2008) <http://www.rc.umd.edu/pedagogies/commons/novel/gottlieb.html>
[accessed 8 June 2009]
Includes
a discussion of The
Bride of Lammermoor as part of an undergraduate course
on the national tale and historical novel.
Graeber,
Wilhelm. 'Nature and Landscape between Exoticism and National
Areas of Imagination', in Romantic Prose Fiction, ed. Gerald
Gillespie, Manfred Engel, and Bernard Dieterle (Amsterdam: Benjamins,
2008), pp. 90-106.
Includes
a discussion of the treatment of landscape and nature in Waverley
(pp. 100-02).
Haydock,
Nickolas. 'Theaters of War: Paracinematic Returns to the
Kingdom of Heaven', in Movie Medievalisms: The Imaginary
Middle Ages (Jefferson, NC: McFarland, 2008), pp. 134-64.
A
study of Ridley Scott's portrayal of the Crusades in his film
Kingdom of Heaven (2005), which includes a discussion
of Ivanhoe (pp. 137-39, 143-47).
Henriques,
Ana Lucia de Souza. 'E os gaiteiros de saiote?: a necessidade
de ficcionalizar a Escócia em Allan Massie e Walter Scott',
Feminismos, identidades, comparativismos, 6 (2008)
Pagination
unknown. Portuguese article comparing the fictional depiction
of Scotland in Scott and Allan Massie.
Jackson,
Richard D. 'Walter Scott, James Hogg, and Broadmeadows',
Studies in Hogg and his World, 19 (2008), 21-31.
Jackson-Houlston,
Caroline Mary. 'An End of an Old Song? The Paratexts of the Waverley
Novels and Reference to Traditional Song', Working with English, 4 (2008) <http://www.nottingham.ac.uk/~aezweb/working_with_english/4/Jackson_Houlston_19_12_08.pdf>
[accessed 14 July 2014]
Jacobus,
Mary. 'Between the Lines: Poetry, Persuasion,
and the Feelings of the Past', in Recognizing the Romantic Novel,
ed. Jill Heydt-Stevenson and Charlotte Sussman (Liverpool: Liverpool
University Press, 2008), pp. 237-66.
Includes
a discussion of echoes of Marmion
and The Lady of the
Lake in Jane Austen's Persuasion.
Killick,
Tim. 'Regionalism and Folklore: Local Stories and Traditional
Forms', in British Short Fiction in the Early Nineteenth Century:
The Rise of the Tale (Aldershot: Ashgate, 2008), pp. 117-56.
Includes
(pp. 125-30) a discussion of Scott and the rise of the regionalist
short story.
Kleiman-Lafon,
Sylvie. 'L’Utopie gothique de Jules Verne au pays
de Rob Roy', Études écossaises, 11 (2008),
51- 67 <http://etudesecossaises.revues.org/index67.html>
[accessed 15 June 2009]
On
Jules Verne's Indes noires (1877).
Kristmannsson,
Gauti. 'Nationalisering af det nordiske: Klopstock, Herder,
Percy, Scott', in Det norrøne og det nationale,
ed. Annette Lassen (Reykjavík: Stofnun Vigdísar Finnbogadóttur,
2008), pp. 145-60.
Includes
a discussion of Scott and Nordic literature.
Lunan,
Lyndsay. 'National Myths and Literary Icons: The Uses of
Scott and Burns in Scottish Literature', in Re-Visioning Scotland:
New Readings of the Cultural Canon, ed. Lyndsay Lunan, Kirsty
A. Macdonald, and Carla Sassi (Frankfurt am Main; Oxford: Peter
Lang, 2008)
Reads
Scott and Burns as complicit in the authoring of a national mythology,
albeit in different ways. Where Burns represents the interiorisation
of Scotland (the peasant cotter of Lockhart's biography), Scott
is responsible for its exteriorisation (his stage-management of
George IV’s Edinburgh visit in 1822). They should not, however,
be understood as static opposing monoliths but as symbolic representations
of a dynamic process of cultural negotiation in Scottish literature.
Lurz,
John. 'Pro-Visional Reading: Seeing Walter Scott’s
The Heart of Mid-Lothian', LIT: Literature Interpretation
Theory, 19 (2008), 248–67.
Calls
attention to the ways in which the reader is invited to think
about seeing in The
Heart of Mid-Lothian. Suggests that by claiming a kind
of force for visual communication, the novel attempts to broaden
the very idea of communicative power.
Mack,
Douglas S. 'Responses to Hogg in Two Waverley Novels: Redgauntlet
and The Fair Maid of Perth', Studies in Hogg and his
World, 19 (2008), 90-115.
On
Redgauntlet
and The Fair Maid
of Perth as responses to James Hogg's novels The
Three Perils of Man (1822) and The Three Perils of Woman
(1823).
Mancini,
Michela. 'Rebecca: l’eroina del romanzo Ivanhoe
tra scrittura e illustrazioni', in Il personaggio: figure della
dissolvenza e della permanenza, ed. Chiara Lombardi (Alessandria:
Edizioni dell’Orso, 2008)
Pagination
unknown; Italian-language article on the depiction of Rebecca
in illustrated Italian editions of Ivanhoe.
Martínez
García, Montserrat. 'Anatomía del terror:
instrumentos controladores del cuerpo y la conciencia femenina en
el El Corazón de Mid-Lothian', in Sites of Female
Terror = En torno a la mujer y el terror, ed. Ana Antón-Pacheco
Bravo, et al. (Cizur Menor: Aranzadi, 2008), pp. 15-32.
Spanish-language
article on The
Heart of Mid-Lothian.
Matsui, Yuko. 'Promoting Saint Ronan's Well: Scott's Fiction and Scottish Community in Transition', Surugadai University Studies, 35 (2008), 1-21. <http://www.surugadai.ac.jp/sogo/media/bulletin/Ronso35/Ronso35matsui.pdf> [accessed 15 July 2014]
Maxwell,
Richard. 'The Historical Novel', in The Cambridge Companion
to Fiction in the Romantic Period, ed. Richard Maxwell and
Katie Trumpener (Cambridge: Cambridge University Press, 2008), pp.
65-88.
Presents
Scott (pp. 75-78) as a great synthesizer as well as a great innovator,
combining Enlightenment historiography, the 'particular history'
of his French predecessors Lafayette and Prévost, the antiquarian
fiction of Walpole, and the large-scale panoramic history of the
Porter sisters. His novels create by stages a version of history
linked to geography, chronology, and transmission via an author
or chain of authors. Goes on to consider Scott's influence on
Hogg, Peacock, Marryat, and Bulwer-Lytton.
Maxwell,
Richard. 'The Historiography of Fiction in the Romantic
Period', in The Cambridge Companion to Fiction in the Romantic
Period, ed. Richard Maxwell and Katie Trumpener (Cambridge:
Cambridge University Press, 2008), pp. 7-21.
Describes
how the 'Magnum Opus' edition of the Waverley Novels created a
blueprint -- economic yet with an aura of scholarly definitiveness
and artistic authority -- for Bentley's Standard Novels. Together
they did much to make fiction affordable and provide an alternative
to the circulating library. Goes on to discuss posthumous editions
of Scott and his waning popularity in the early 20th century.
McAdams,
Ruth M. 'Publishing Abbotsford: Walter Scott’s Literary
Legacy and the Abbotsford Edition of the Waverley Novels (Edinburgh
: R. Cadell, 1842-1847)', Journal of the Edinburgh Bibliographical
Society, 3 (2008), 12-37.
MacLachlan,
Christopher. 'Murder and the Supernatural: Crime in the
Fiction of Scott, Hogg and Stevenson', Clues, 26.2 (2008),
10-22.
McMullin,
Brian. 'Blasphemy and Bibliography in Kenilworth',
Journal of the Edinburgh Bibliographical Society, 3 (2008),
49-62.
Mergenthal,
Silvia. 'Straight from the Heart: Mapping Scott's The
Heart of Midlothian', EPONA, 2008.2
Pagination
unknown.
Miles,
Robert. 'The Romantic-Era Novel', in Romantic Misfits
(Basingstoke: Palgrave Macmillan, 2008), pp. 133-69.
Discusses
Waverley
and Tales
of My Landlord. An earlier
version of this chapter appeared in Novel, 34 (2001).
Morel,
Michel. 'Les Enjeux ekphrastiques de la montagne à
l'époque romantique', Anglophonia, 23 (2008), 63-70.
French-language
article on mountains in Romantic literature (Radcliffe, Scott,
Mary Shelley, Wordsworth) including a discussion of Waverley.
Nemoianu,
Virgil. 'From Historical Narrative to Fiction and Back:
A Dialectical Game', in Romantic Prose Fiction, ed. Gerald
Gillespie, Manfred Engel, and Bernard Dieterle (Amsterdam: Benjamins,
2008), pp. 527-36.
Includes
a discussion of why Waverley
was perceived as genuinely innovative and was eagerly emulated
throughout Europe and North America. An earlier
version of this chapter appeared in Nemoianu's The
Triumph of Imperfection: The Silver Age of Sociocultural Moderation
in Europe, 1815-1848 (2006).
Newman,
Andrew. ‘Sublime Translation in the Novels of James
Fenimore Cooper and Walter Scott’, Nineteenth-Century
Literature Criticism, 203 (2008).
Pagination
unknown. Argues that Cooper's motif of 'sublime translation',
whereby scenes of communication between Anglo-Americans and native
Americans are set in sublime locations and, typically, interrupted
by animals, is borrowed from Waverley.
This article was previously published
in Nineteenth-Century
Literature, 59 (2004).
Oliver,
Susan. 'Crossing "dark barriers": Intertextuality
and Dialogue between Lord Byron and Sir Walter Scott', Studies
in Romanticism, 47.1 (2008), 15-35.
Examines
intertextual references as a form of conscious poetic dialogue
between Byron and Scott. Amongst the figurations considered are
the return to Britain and laundering of outlaw 'otherness' in
Scott's Rokeby
(1813), and the perplexing, secretive 'strangeness' of the communications
between Europe and the East in Lara (1814). A consideration
of Byron's juxtaposition of Hebridean and Polynesian motifs in
The Island leads into a concluding look at Byron's exclamation
of Scottishness in Don Juan, canto 10 (1823).
Phillips,
Helen. 'Scott and the Outlaws', in Bandit Territories:
British Outlaws and their Traditions, ed. Helen Phillips (Cardiff:
University of Wales Press, 2008), pp. 119-42.
Includes
discussions of the outlaw theme in The
Lady of the Lake, Rokeby,
Rob Roy,
A Legend of Montrose,
Ivanhoe,
The Abbot,
and The Betrothed.
Pittock,
Murray. 'Scott and the European Nationalities Question',
in Scottish and Irish Romanticism (Oxford: Oxford University
Press, 2008), pp. 187-210.
Notes
the paradox whereby Scott in the act of relegating romance to
the past was creating it in the present, placing the essence of
his creative ends at odds with the teleology of his creating means.
Scott presented the spectacle of a literature of combat repressed
by the very historiography used to display it, but, once the historiography
was removed from a British context, his European readers saw in
him the most intensely political Anglophone writer of his age.
Purdie,
David W. 'The Burns-Scott Meeting at Sciennes Hill House',
Book of the Old Edinburgh Club, New Ser., 7 (2008), 167-70.
Rieuwerts,
Sigrid. 'The Voice of the Scottish Muse on the Shores of
the Frozen Baltic: Robert Jamieson, Sir Walter Scott and Riga',
Singing the Nations: Herder’s Legacy, ed. Dace Bula
and Sigrid Rieuwerts (Trier: WVT, 2008), pp. 51-60.
Rignall,
John. 'From Picturesque to Palimpsest: Landscape and History
in the Fiction of Walter Scott and Graham Swift', in Victorian
Turns, NeoVictorian Returns: Essays on Fiction and Culture,
ed. Penny Gay, Judith Johnston, and Catherine Waters (Newcastle
upon Tyne: Cambridge Scholars, 2008), pp. 148-57.
Rigney,
Ann. 'Fiction as a Mediator in National Remembrance', in
Narrating the Nation: The Representation of National Narratives
in Different Genres, ed. Stefan Berger, Linas Eriksonas, and
Andrew Mycock (Oxford: Berghahn Books, 2008), pp. 79-96.
Rodríguez
Espinosa, Marcos. 'Exilio, vocación trasatlántica
y mediación paratextual: José Joaquín de Mora
y sus traducciones de Ivanhoe (1825) y El talismán
(1826) de Walter Scott', in Diez estudios sobre la traducción
en la España del siglo XIX, ed. Juan Jesús Zaro
Vera (Granada: Atrio, 2008), pp. 73-94.
Provides
a detailed biography of the Spanish Liberal exile José
Joaquín de Mora, followed by a comparative analysis of
the paratexts that accompany the translations of Ivanhoe
and The Talisman
that he published in London in 1825 and 1826 respectively.
Schierenbeck,
Daniel. 'Religion and the Contours of the Romantic-Era
Novel', Romantic Pedagogy Commons, 3 (August 2008) <http://www.rc.umd.edu/pedagogies/commons/novel/schierenbeck.html>
[accessed 8 June 2009]
Includes
a discussion of Old
Mortality as part of an undergraduate course focussing
on representations of religious enthusiasm and toleration in Romantic
fiction
Simpson,
David. '"Which is the merchant here? and which the
Jew?": Friends and Enemies in Walter Scott's Crusader Novels',
Studies in Romanticism, 47 (2008), 437-52.
Explores
the portrayal of other races and religions, and tolerance or intolerance
towards 'the other', in Ivanhoe,
The Talisman,
and The Betrothed.
Interprets
Ivanhoe as a rewriting of The Merchant of Venice
and reads the Crusader novels as a plea for open-mindedness which
is repeatedly frustrated. Ultimately, the novels are powerful
portrayals of the refusal of hospitality and the tragic consequences
of that refusal.
Simpson,
Erik. 'The Minstrel and Regency Romanticism: James Beattie
and the Rivalry of Byron and Wordsworth', in Literary Minstrelsy,
1770-1830: Minstrels and Improvisers in British, Irish, and American
Literature (Basingstoke: Palgrave Macmillan, 2008), pp. 75-103.
Simpson,
Erik. 'The Minstrel Goes to Market: the Prizes and Contests
of Hogg, Landon and Hemans', in Literary Minstrelsy, 1770-1830:
Minstrels and Improvisers in British, Irish, and American Literature
(Basingstoke: Palgrave Macmillan, 2008), pp. 104-33.
Steier,
Michael P. 'Transgressing the Borders of English Bards
and Scotch Reviewers', Studies in Romanticism, 47.1
(2008), 37-52.
Szaffner,
Emília. 'Romance, Melodrama, and Opera: Scott's
Ivanhoe and Nicolai's Il Templario', EPONA,
2008/1 <http://www.epona-journal.hu/epona_languages/English/files/issue_0809/SzE_Templario.pdf>
[accessed 14 June 2010]
Discusses
Scott's centrality to the interaction between the genres of romance,
melodrama, and opera in the early nineteenth century, with particular
reference to Carl Otto Nicolai's Il templario, an operatic
adaptation of Ivanhoe.
Identifies those elements in Scott's work which proved most
attractive to melodramatists, and analyses why an early nineteenth-century
audience saw the Rebecca-Bois Guilbert sub-plot as the dramatic
centre of I.
Tucker,
Herbert F. 'In Expiation: Epic Atonement 1805-1815', in
Epic: Britain’s Heroic Muse, 1790-1910 (Oxford: Oxford
University Press, 2008), pp. 128-89.
Includes
a discussion of Marmion.
Tucker,
Herbert F. 'Under Construction: Epic Conscripted 1800-1805',
in Epic: Britain’s Heroic Muse, 1790-1910 (Oxford:
Oxford University Press, 2008), pp. 93-127.
Includes
a discussion of The
Lay of the Last Minstrel.
Vasconcelos,
Sandra Guardini T. 'Cruzando o Atlântico: notas sobre
a recepção de Walter Scott', in Trajetórias
do Romance: circulação, leitura e escrita nos séculos
XVIII e XIX, ed. Márcia Abreu (Campinas: Mercado de
Letras/ FAPESP, 2008), pp. 351-74.
Portuguese-language
article on Scott's Brazilian reception.
Vasconcelos,
Sandra Guardini T. 'Figurações do passado:
o romance histórico em Walter Scott e José de Alencar',
Terceira Margem, 12.18 (2008), 15-37 <http://www.letras.ufrj.br/ciencialit/terceiramargemonline/numero18/Terceira_Margem_18.pdf>
[accessed 11 January 2011)
Portuguese-language
article on the reception of Scott by Brazilian author José
de Alencar (1829-77).
Villari,
Enrica. '"La storia mi salvò la mente dalla
completa dissipazione": Scott, Tolstoj, Hardy e la terapia
della storia', in La storia nel romanzo (1800-2000), ed.
M. Colummi Camerino (Rome: Bulzoni, 2008), pp. 39-54.
Italian-language
article on history as therapy in Scott, Tolstoy, and Thomas Hardy.
Wall,
Dan. '"Grand Napoleons of the Realm of Print":
Filthy Lucre in J. G. Lockhart's Life of Scott', in The
Enclave of My Nation: Cross-Currents in Irish and Scottish Studies,
ed. Shane Alcobia-Murphy and Margaret Maxwell (Aberdeen: AHRC Centre
for Irish and Scottish Studies, 2008), pp. 217-25.
Watson,
Ritchie Devon. 'Ivanhoe, Race Myth, and the Walter Scott
Cultural Syndrome', in Normans and Saxons: Southern Race Mythology
and the Intellectual History of the American Civil War (Baton
Rouge, LA: Louisiana State University, 2008), pp. 47-71.
Witherbee,
Amy. 'Habeas Corpus: British Imaginations of Power in Walter
Scott's Old Mortality', New Literary History,
39 (2008), 355-67
Reads
Old Mortality
as a post-Waterloo exploration of the nature of sovereign power
and of the emergence of modern political subjectivity. Suggests
that the novel not only reflects the evolution of Scottish nationalism
but also invokes a foundational moment in British sovereignty
in its attention to habeas corpus.
Zemgulys,
Andrea. 'Reading in Place: The Subjects of Literary Geography',
in Modernism and the Locations of Literary Heritage (Cambridge:
Cambridge University Press, 2008), pp. 43-70.
Includes
(p. 51-55) a discussion of Scott and Edinburgh.
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Notes
1
In addition to M. Brown 2008, Duncan
2008, Maxwell 2008a, and Maxwell
2008b, there are further significant passages on Scott in the
following chapters of The Cambridge Companion to Fiction in
the Romantic Period: William St. Clair, ‘Publishing,
Authorship, and Reading’, pp. 23-46, and Ann Wierda Rowland,
‘Sentimental Fiction’, pp. 191-206.
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